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Jump into a virtual with Play Nicely...

Published on Thursday, 26th November 2015, contributed by Play Nicely

Play Nicely has collaborated with the National Theatre and 59 Productions to create a free exhibition of otherworldly digital experiences to accompany the upcoming musical enter will open on 26th November and run until April 2016.

Inspired by Lewis Carroll’s iconic story, is a coming-of-age adventure that explores the blurred boundaries between our online and offline lives. enter complements the production through a creative use of technologies: Oculus Rift, Kinect, Google Cardboard and Augmented Reality face-tracking, all delivered by Play Nicely. 

The free exhibition was conceived by the NT’s Head of Digital, Toby Coffey, who worked with designers Tom Paris and Rae Smith, to give audiences an immersive experience in addition to the stage production. It builds on the Virtual Reality research development Play Nicely was already undertaking with the National, alongside 59 Productions’ incredible performance visuals which were re-appropriated for the interactive exhibition.

The central experience in the enter exhibition is the Virtual Reality installation - fabulous - a VR music video, experienced through Oculus Rift. Audiences explore the extraordinary 360° landscape of as all around them the hypnotic garden scene sways and pulses to the sound of fabulous, one of Damon Albarn’s compositions. 

Looking up they see the Cheshire cat, floating majestically as if he were the conductor of their content. This multi-coloured, wildly imaginative virtual landscape places the audience in the centre of an interactive immersion lasting around five minutes. 

Other equally original digital expressions of the narrative include a Kinect experience allowing a physically reactive garden experience, an Augmented Reality face-tracking magic mirror wall, character avatar-maker and Google Cardboard home VR experience for iOS and Andorid.

Play Nicely director Oliver Lindsey commented: 

“Being part of the first digitally interactive exhibition staged by the National Theatre is typical of the artistic and technological risks that Play Nicely takes in the pursuit of genuinely original content production. We love surprising an audience and find that doing so increases the power of the message or narrative. The challenge was to create an entirely new audience experience beyond the auditorium which allows visitors to feel physically part of the world.”